Showing posts with label San Francisco. Show all posts
Showing posts with label San Francisco. Show all posts

Thursday, December 13, 2007

San Francisco from the Air




That Powell's post made me think about that Portland trip, so I went through my pictures. I didn't take that much, but I found that picture up there. Although that day was a disaster (We missed our connecting flight because we didn't know which airlines it was under--our tickets didn't say, and, come on, whoever heard of Horizon Air? And there was a fiasco with Peter's expired passport, so we had to run through SFO many, many times.), I did come out with that almost perfect picture, if it weren't for window smudges, glare and maybe if I used a camera with a better resolution. You can see the Golden Gate Bridge connecting greater San Francisco to Marin County, the wonderfully blue San Francisco Bay and the expansive Pacific Ocean.

Wednesday, December 12, 2007

Bits: Linking Westchester and SF to NYC via Path & Ferries, Dining Over Graves, Magdalen Island, Broken Elevator Woes & Israeli Operations

1.

"Inwood-Westchester Greenway Link Planned" from Inwoodite

This pathway would connect upper Manhattan to my definition of upstate New York (or Westchester, same thing) and allow for access across the Henry Hudson Bridge, a bridge I've had the pleasure of rowing under twice. And they're improving/creating more bridges over the Harlem River

2.

"Cross a Continent by Water to Another City by the Bay" by Patrick McGeehan, from the New York Times

With the impending contract closure with Circle Line Downtown, California-based Hornblower Yachts is joining the mess of traffic along New York Harbor. These different boats will or already have journeyed to New York from varied distances: New Orleans, random places in New England and most notably, San Francisco.

That lucky boat, the Freedom, left San Francisco Bay last month and has yet to travel through the Panama Canal to its eastern goal.

Both McGeehan and the chief executive of Hornblower, Terry MacRae, had wonderful, water-related (anyone know a better word for that?) quotes that I just have to put here:

MacRae: [Referring to the scheduled arrival] In the ocean, anything can happen.

...

This is not the Freedom's first oceangoing tour. Before its stint taking visitors to Alcatraz, it ferried summer-vacation crowds to and from Nantucket. It made the long haul from Nantucket to San Francisco Bay in April 2006, Mr. MacRae said, so it has proven its seaworthiness. "It's been in the ocean its whole life," he said.

3.

"Indian Eatery Features Graveside Seating for 'Good Luck'" by Sam Dolnick, AP by way of the New York Sun

What's interesting about this restaurant in western Indian isn't its food or even its service; instead it is the location, more specifically, where it is built over, which, in this case, is on a Muslim cemetary. Customers sit right next to scattered gravestones throughout the restaurant.

And really, all that matters is:

Customers seem to like the graves, which resemble small cement coffins, and that's enough for him.

4.

"An Island in the Hudson, Plundered in Search of Indian Artifacts" by Anthony DePalma, from the New York Times

I'm pretty sure I've gazed longingly at Magdalen (a.k.a. Goat) Island during MetroNorth trips. And now, after reading this article, I want to go there. Rock shelter? Right on the Hudson? People who go there illegally anymore (I'm all about that--still holding onto my Bannerman's Island dream)? Possible buried goods?

5.

"At Bronx Court, Elevator Woes Slow Justice" by Leslie Kaufman, from the New York Times

Now that's just fucked up.

6.

"Israeli Forces Move Into Gaza" by Steven Erlanger, from the New York Times

What pisses me off about this is that the Israeli troops claim to be performing "routine" operations "to disrupt rocket and mortar assults" along the border. Come on, seriously, am I supposed to believe that?

Wednesday, November 21, 2007

Words of a Song

Most people were born with music--their parents listen to albums over and over again and thereby instilling the same songs in their children. So they grew up knowing who the Beatles and Billie Holiday were, from their parents and older siblings. For me, this wasn't the case. My parents moved here from Saudi Arabia in 1984. They had their own music: Bengali and Indian folk and pop songs, most featuring the strums and plunks of the harmonium.

That was the my background music of my childhood, but it was never the focus of it. Every Sunday, our "home" days, as we called them, my parents relaxed in their room, listening to their music. My brother, sister and I stayed in the living room, watching TV shows.

So the point is, I had no grounding in American music. I was familiar with television because my father made sure I had that special American privilege, but music? They knew nothing at all.

Eventually, I caught on, catching music videos on TV, listening to the radio and then to my major source of music: friends' recommendations and the wonderful world of the Internet.

While listening to my iPod recently at work, I thought about why certain songs caught my attention. There are specific subjects and words that captivate me, and when I can find them in a song, it makes the song just that much better.

- maps

Wilco's "You Are My Face"

I have no idea how this happened
All of my maps have been overthrown

Wilco's "A Magazine Called Sunset"

Let's take a map across your pillow
And breathe the sky in through your window
I'll stay in the riddle and watch your books cave in

- the water/rivers/boats/oceans/anything else water-related

Decemberists' "The Island, Come and See, The Landlord's Daughter, You'll Not Feel the Drowning"

There's a harbor lost within the reeds
A jetty caught in the overhanging trees
Among the bones of cormorants
No boot-mark here nor fingerprints
The rivers roll down to a soundless sea

Wilco's "On and On and On"

Please don't cry, we're designed to die
You can't deny even the gentlest tide

(I love the way Tweedy sings "gentlest")

- traveling

Modest Mouse's "The World At Large"

The days get shorter and the nights get cold
I like the autumn but this place is getting old
I pack up my belongings and I head for the coast
It might not be a lot but I feel like I'm making the most
The day's get longer and the nights smell green
I guess it's not surprising but it's spring and I should leave

- stars

Oasis' "The Importance of Being Idle"

I don't mind
As long as there's a bed beneath the stars that shine

Bob Dylan's "Desolation Row'

Now the moon is almost hidden
The stars are beginning to hide

- some sort of act of defiance

Decemberists' "And Here I Dreamt I was an Architect"

And we are vagabonds
We travel without seatbelts on
We live this close to death

- about other places

Arcade Fire's "Cold Wind"

If you're going to San Francisco
Lay some flowers on the gravestone

Spoon's "Chicago at Night"

But then she'd never been to Chicago at night before the fall
And it don't stop, not at all

Sufjan Steven's "Chicago"

Drove to Chicago
All things know, all things know
We sold out clothes to the state
I don't mind, I don't mind
I made a lot of mistakes
In my mind, in my mind

- about the city and New York in particular

Wilco's "Jesus, Etc."

Voices whine
Skyscrapers are scraping together

- dreams

Wilco's "Dreamer in my Dreams"

There's a dreamer in my dreams
Swinging from the beams
With a light shining off the lake

These examples, it must be noted, reflect my current listening habits, therefore certain artists appear more than once, like Wilco. I have to say, though, it's impressive that I still listen to Wilco because I usually tire of an artist after three months. Thank you, Chicago boy.

Wednesday, November 7, 2007

Bits: Staten Island's Marshlands, Turkey & Kurdistan, Takes on Pakistan's Martial Law, Gay Muslims and the SF Mayoral Race

1.

"Protecting a Wild Patch of City Marshland" by Andy Newman, from the New York Times

"This is a window into what Staten Island used to be," he said. "And here it still is."

Just from reading this article, I have the strongest urge to go and see what's there. I have that and the Rossville Boatyard to check out.

2.

"The Turks Are Coming! Oh, They're Already Here" by Andrew Lee Butters, from Time

He was describing the Turkish camps along the Turkish-Iraqi/Kurd border and this line was just too good (and I'm a sucker for anything with rivers):

"One camp that's home to some 300 fighters in a ravine carved by the cold blue waters of the lower Khabour river looked like a beautiful place for an invading army to die."

3.

"Musharraf's Martial Plan" by Benzair Bhutto, from the New York Times

I disagree with Bhutto's lede ("Nov. 3, 2007...as the blackest day in Pakistani history;") I think I can think of several other moments that are worthy of that distinction. Otherwise, I agree with everything else she says and especially like how she called the U.S. out in the end. Let's see, though, what she does on Friday. She already tried to negotiate with Musharraf before and it went nowhere. I hope she knows not to make the same mistake again.

4.

"Mushy: Handsome in Uniform" by Maureen Dowd, from the New York Times

Normally, I don't like Dowd's style. Sure, what she has to say is true, but she tries too hard to be clever. Today, though, she made some great points:

"America's influence is not unlimited. And unfortunately for the oppressed, Mushy's open defiance is helping to further undermine America's influence. But we will use what influence we have left to pretend that jailed dissidents prefer their chains and that human beings aspire to live at the mercy of bullies."

"All who live in tyranny and hopelessness can know: the United States will ignore your oppression and excuse your oppressors. When you stand for your liberty, we will not stand with you."

"In the long run, there is justice without freedom, and there can be human rights once the human rights activists have been thrown in the pokey." [That reminds me of the situation in Burma.]

5.

"Pakistan's General Anarchy" by Mohammed Hanif, from the New York Times

A former member of the Pakistani Air Force Academy wrote about the power of and the rise of Islam within the Pakistani military:

"Only last month, Pakistan's Navy, in an audacious move, set up a barbecue business on the banks of the Indus River about 400 miles away from the Arabian Sea it's supposed to protect.

"It's a happy marriage between God and greed.

"For now, the general's weekend gamble seems to have paid off. From Washington and the European Union, he heard regrets but no condemnation with teeth—exactly what he counted on.

"General Musharraf has always tried to cultivate an impression in the West that he is the only one holding the country together, that after him, we can only expect anarchy. But in a country where arts teachers and lawyers are behind bars and suicide bombers are allowed to go free, we definitely need to redefine anarchy."

6.

"Gay Muslims Find Freedom, of a Sort, in the U.S." by Neil MacFarquhar, from the New York Times

Something I've never thought about until recently.

7.

"San Francisco Mayor's Race Offers Drama, but No Suspense" by Karl Vick, from the Washington Post

I sent this article to Sean with the subject: 'this is partly why i love san francisco,' and it's true. Gavin Newsom, the incumbent cheating hearthrob of a mayor, isn't the star of the race--he has to compete with a nudist, homeless taxi driver named Grasshopper, sex club owner, a previously jailed blogger (Josh Wolf, who refused to show video footage of protests), and more.

The idea, according to Quintin Mecke, another mayoral candidate, is:

"After seven years of Republican rule, we want to be as far left as possible, because we have tilted so far to the right that moderation is not going to get us anywhere near balance."

Tuesday, May 29, 2007

On Travel

[This was my final assignment for Advanced Journalism: Covering the Arts. We were basically allowed to write whatever we wanted, as long it was 10 pages (double spaced) long and that there was some aspect of culture and/or the arts. I of course chose travel since it was easier for me. I based a lot of this on Alain de Botton's The Art of Travel, which was recommended to me by a friend.]

De Botton said:

“What, then, is a traveling mind-set? Receptivity might be said to be its chief characteristic. Receptive, we approach new places with humility. We carry with us no rigid ideas about what is or is not interesting. We irritate locals because we stand in traffic islands and narrow streets and admire what they take to be unremarkable small details. We risk getting run over because we are intrigued by the roof of a government building or an inscription on a wall…We are alive to the layers of history beneath the present and take notes and photographs.”


On Transit & Transportation


The bookends of a trip:

To get somewhere and back, there is the actual action of travel, covering the miles or steps to your destination and then re-covering those miles or steps back home or your original starting point, or somewhere entirely new.


When I was little:

Transportation: cars, bikes, subway rides accompanied by parents and my own two feet.


Motion of Subways:

I sit, I wait, I tap my feet, I lean over platform, I wait, I sigh, I see light, I see train, train passes by and slowly rolls to a stop. Doors open, I step aside, let people off, step inside, doors close, beeline to empty corner seat (best in train car), I sit, I put bag on my lap, I lean back, train moves and I am on my way. This is my everyday travel.


Bus trips to D.C.:

I take buses to D.C. because northwestern travel is cheaper that way (I’ll save airplanes for more grandeur adventures.)

Highways are always the same, but my eyes widen and my mind jumps at breaks in the scenery—bridges, waters, horses, cows, especially gorgeous sunsets and sunrays hitting that boring, boring highway.

That Friday morning, it rains terribly, but by noon, the sun is out and the air is crisply warm. During the drive to D.C., in New Jersey, I notice a river with white, foam scuds on its surface. It looks so grimy, but I figure it is because of the rains. In Baltimore, we pass by giant cargo ships being loaded with coal for other states and countries. In between forests of trees, I catch sights of expansive farms with tractors and horses.


De Botton said:

“Journeys are the midwives of thought. Few places are more conducive to internal conversations than moving plans, ships, or trains. There is an almost quaint correlation between what is before our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, and new thoughts, new places.”


Action of Transit:

Traveling entails waiting.

You are waiting to get from point A to point B. You will wait to get from point B to point A, or from point B to point C and then head on over to point A. Or any of those combinations work (there are, as you know, many, many places to go and come from).

Waiting equals anxiety, for me at least. I worry about point C when I am in point A, or thinking back on point B and what I could have done better while I’m on my way to point C.

Though, waiting allows you to be with yourself.

A pause: could be a short five minute pause passing under the East River or a twelve hour pause spanning time zones and continents. A pregnant pause—filled with anticipation, anxiety, desire, boredom. I need to do something. Magazines and books, while filled with interesting topics, fail to capture my attention. Preset words are too still for me. I fidget, with papers, pens, chapstick, water bottles…my mind fidgets as well. I think: “I’m so happy I’m in a plane again, how do I look from down below? Is someone looking at me right this very second? I should have written that paper before I left, am I even going to write it now? I know I won’t—I can’t concentrate, my hair is too frizzy and I hate it, but I don’t know what to do about it, sometimes I’m really not a girly girl, I kinda miss him, I’m glad I’m going to D.C. next weekend, look at those mountains! They look so small, but really, they aren’t. I want to climb a mountain. Damnit, I can’t believe I’m graduating, I really don’t want to. I need a job. I am going to eat real gelato and pasta tonight, I hope it’s delicious. I hope I get there soon. I wonder what we’re doing tonight.”


Sound of Flying:

Eyes closed. Not humming, but whirring. Constant whirring. Engines. Pushing plane through air. No one is talking—it is midnight, New York time—everyone is trying to sleep. Occasional snore. Open eyes and it is dark.


De Botton said:

“The eye attempts to match what it can see with what the mind knows should be there, like a reader trying to decipher a familiar phrase in a new language.”

He also said: “And to think that all along, hidden from our sight, our lives were that small: the world we live in but almost never see, the way we must appear to the hawk and the gods.”


Down Below:

I don’t hear a lot about actually looking through airplane windows, except for musings on clouds (this is because clouds are up there and we’re usually down here so clouds are majestic and when we fly, we are up there with those wondrous, permeable clouds and we somehow become majestic as well).

Bird’s eye view: boxy patches of nondescript land that are various shades of greens and browns; winding, swirling highways and thinner roads where it is impossible to see any cars; mountains that look so tiny, but you know once you are down there, they are huger than anything you could ever imagine.

I take many pictures.

(Don’t get me wrong—I love clouds. I love their shape and how they look when the sun hits them at just the right angle and the sky becomes that perfectly-desirable-but-nearly-impossible-to-recreate shade of sunset-orange and the clouds’ shadows darken the green, green ground.)

When the landscape down below settles into flat, flat plains and roads, I pretend I am on a road trip in my car and my eye traces my path. I can pretend this because I don’t know how to drive.


Approaching Travel


Foreign:

Anything outside of the familiar, home setting.


De Botton said:

“Sublime places repeat in grand terms a lesson that ordinary life typically introduces viciously: that the universe is mightier than we are, that we are frail and temporary and have no alternative but to accept limitations on our will; that we must bow to necessities greater than ourselves.

“This is the lesson written into the stones of the desert and the ice fields of the poles. So grandly is it written there that we may come away from such places not crushed but inspired by what lies beyond us, privileged to be subject to such majestic necessities. The sense of awe may even shade into a desire to worship.”


How to not be a tourist:

As much as we try to fight it, there are the usual images that arise when we think of certain places, i.e. the Empire State Building to New York, the Eiffel Tower to Paris, the Great Wall to China. When you visit that place, you feel almost required to visit that building or structure or wall, because it represents that city. What will make you different from a regular tourist is your underlying goal—instead of skimming the foreign locale superficially, you must want to learn and absorb your surroundings. You must want to leave a changed person, internally.


That Red, Red Bridge:

For me, I linked the Golden Gate Bridge to San Francisco. I went to northern California by myself last summer, in search of something different. In the hostel where I was staying, there was a flier promoting bike rentals. It seemed like a very Californian thing to do, so I decided to go for it. Then, remembering the bridge, I decided to bike across the Golden Gate Bridge.

Why the Golden Gate Bridge: 1. It is beautiful—the red color compliments the bright blue sky and the one-shade-darker-and-constantly-in-motion blue water. The lines are sleek in a worn sense. 2. I am fascinated by anything near water. And lastly, 3. The Golden Gate Bridge came to represent what I wanted to be capable of doing.

I started in the middle of Fisherman’s Wharf (a mix of New York’s Seaport and Times Square). The bridge was off to the distance to my left. There was no famous San Francisco fog—the skies were blue and clear and I saw the Golden Gate perfectly. It was hard to miss that gorgeous shade of deep, bold red.

Biking to the bridge proved to be more difficult that I imagined. I forgot that San Francisco is hilly. I struggled to bike uphill and sometimes, I wanted to give up, but I knew I couldn’t—I had to reach the Golden Gate Bridge. Who knew when I’d be back again? So I trekked on and I was rewarded by coasting downhill. The wind felt so good.

As I got closer to the Golden Gate, my heart raced faster. That might have been because of the exercise, but I’d like to think it was because I was almost there.

Once I reached the bridge, I paused. I made it. I actually made it. Thought about the effort and thought that went into designing this bridge. Thought about how many men worked on construction this bridge, just to connect San Francisco and Marin County.

Slowly, I biked across the Golden Gate Bridge, taking in every inch of red steel and cable, feeling the pavement that hovered above the San Francisco bay beneath my tires, breathing in the Pacific-misted air, looking at everyone else who decided to walk on this amazing bridge.

When I finished, I looked back on the bridge with a sense of accomplishment. I did it.


On Being Away

De Botton said:

“What we find exotic abroad may be what we hunger for in vain at home.”


Chicago versus New York:

My fascination with Chicago started because of a Spoon song, “Chicago at Night.” Britt Daniel sang “She’s never been to Chicago at night before the fall/and it don’t stop, not at all/It falls all around/In the city/Hits the ground.” After listening to that, I needed to go to Chicago. At night.

When I got there, though, I was kind of disappointed.

Chicago is basically the Midwestern New York—the streets seemed cleaner (at least, the streets that I walked on), the Chicago River was this brilliant shade of blue that I knew the Hudson or the East River could never achieve. Even the shiny buildings seemed newer, their edges sharply cut into the sky while their curves fluidly embraced the sky. I appreciated this because it maintained urban aspects while being refreshing at the same time, but it did not fascinate me.


Translating Neighborhoods:

Other cities tend to have correlating neighborhoods: San Francisco’s Haight-Ashbury is basically New York’s Lower East Side, where trendy bohemia thrives or the gay-friendly neighborhoods in San Francisco (Castro), Chicago (Lakeview) and New York (Chelsea). (Almost) every city has a Financial District, with their main building—San Francisco’s Transamerica building, Chicago’s Sears Tower.

It is easy to find the familiar wherever you go.


Streets of Rome:

Rome is in another country and continent and is drastically different from New York City.

Sidewalks were narrow and slanted and streets were made of uneven cobblestone. Many areas didn’t have sidewalks—pedestrians (myself included) mingled with scooters, bikes and Smart Cars in the streets. Where I walked, there were barely any pedestrian lights, so I got to run and dart through traffic. I did this anyway in New York. While there were tourists, they weren’t annoying. People are friendly in a not-creepy sense. Even the men who hit on me were sweeter with their “Ciao bellas” subtle winks and broken English.

That was what I was looking for my entire life.

It was my spring break, but Rome was cold and chilly—the days were misty and the nights rainy, and it even hailed. I wore a sweatshirt and blazer (because it was “spring break,” I refused to wear my winter coat).


On The Return


De Botton said:

“We feel assured that we have discovered everything interesting about our neighborhood, primarily by virtue of our having lived there a long time. It seems inconceivable that there could be anything new to find in a place where we have been living for a decade or more. We have become habituated and therefore blind to it…The reason people were not looking was that they had never done so before. They had fallen into the habit of considering their universe to be boring—and their universe had duly fallen into line with their expectations.”


Trees:

Because of the trees that I noticed in California, Florida and Italy, I have a new-found appreciation of trees. There is a tree at the end of my street, right where 85th Road intersects with 141st Street, in front of the black house right by my old elementary school. Its branches are distinct and shapely—they twist and turn in every which way, but they do not bunch together into one wooden mass, they are spaced perfectly so blue contrasts the brown just right

The tree is regal.

I would have never noticed it if I didn’t notice Roman trees and their dark, dark green branches that hover over the ground and Floridian palm trees mingling with regular oaks.


Returning Home:

Whenever I come back from a trip, I spend one entire day at home, just relaxing and talking to my family.

The next day, I’m itching for another adventure.

Friday, April 27, 2007

Poem: Distance Creates

[picture of door on the cat alley in San Juan, Puerto Rico. Note cat lounging on step.]

This poem is very very different from my usual style. Inspired by Whitman as seen through long, long lines and descriptions and all that. It's the leading poem of my senior work.

Distance Creates

I.
I always forget I live on top of a hill,
But I remember when I walk by the tiny park where I used to play during my nursery school days, when Manhattan didn’t exist.
Some nights, when I walk by the open gates, I see the rest of Queens glittering at my feet,
The yellow streetlamps, the white fluorescents of living rooms, the red backlights of cars moving faster than I ever could, all against the backdrop of the dark sky.

If I squint, I see the brightly lit JFK, where blinking red-and-white airplanes took me away from my hill in the night to different hills across the continent and overseas,
Where narrow cobblestone streets were paired with even more narrow uneven sidewalks,
Where turquoise waters were still and warm and the breeze blew sand into my hair,
Where palm trees replaced oaks and the fog softened the sunlight and faintly chilled the air,
Where, eleven years ago and eighteen hours away, muddied monsoon rains spilled onto the floor, covering my eleven-year-old feet.

II.
Racing along the BQE and staring at Manhattan's east coast where the Citicorp Center glowed purple and the Empire State pink,
I remember standing on the ledge of the Empire State and seeing the bridges leading to Brooklyn, Staten Island, the Bronx, Jersey, and back home to Queens, the dark, empty gaps where parks are, the white light surrounding Times Square, and I look again for the neatly lined lights of JFK,
And I remember how small the city really is.

III.
The second time I ever flew, I stole a window seat as the plane slowly emptied after thirty-minute-long stopovers: Amsterdam, Dubai, New Delhi, new places I’d never been to before and all in one trip, I breathed in their air.
Landing in Zia International Airport, Bangladesh was green and humid and I saw women collecting long stalks right along the runway from my window.
In a third-world nation and I’m ten hours ahead, Tuesday to New York’s Monday in this tiny country where my parents grew up.
For two sweltering months, we trapped frogs in steel bowls, pushing them back in with sticks when they tried to escape and begged our pet goats, chickens and ducks to run away before unknown men sacrificed them in our names.

Covered in mosquito bites, we returned home with the scent of jackfruit on our skin.

IV.
In Isla Verde, there are no waves; the Puerto Rican water gently creeps onto the beach, back and forth, bringing tiny pink and purple seashells to the shore,
My heels dig back into the white sand and overhead, planes roar from Luis Muñoz Marin International Airport where I landed a day before.
I am in this tropical far away with time change and spring becomes summer in May with one plane ride.

Old San Juan shuts off its streets so we can walk from bar to club drunkenly safe and
Near the brilliant dark blue San Juan Bay and Caño de San Antonio, families stay up past two in the morning, laughing and sipping virgin piña coladas along the old fortress walls.
We walk on Calle de San Francisco to the elevated Castillo San Cristóbal and we see a different version of the Atlantic Ocean–clear, dazzling, equatorial water that tastes a bit sweeter.

V.
Far Rockaway Beach is covered in the beer cans and cigarette butts that strong tides devour like lives,
I look out to the east where the sky and water blend into one big bright hazy blue,
And I hop through sand that burns and broken shells that cut my feet.
The New York sun darkens me slightly before I leave again.

VI.
Across the continent and six hours away in San Francisco, their forty-three hills give perfect city views, and with every step I take, my muscles stretch.
From their tops, I see the red rusted bridge to my left where I biked to a slanted boating town, the soothing blue bay, and other house-covered slopes below me.
Climbing down to below sea level, my ears pop from the sudden altitude change and I mingle with palm trees and I drink up the crisp California air.
On Baker Beach with the same red bridge to my right, I step into the lukewarm Pacific and break away from the heat wave that I left behind in the East and my soles grip on polished green and red and black pebbles, smooth from western waves.

From SFO to JFK, I fly higher than those hills and I see the same bridges, the same parks, the same beach, the same hills where I was a few hours before and I could fit everything in my palm perfectly.

VII.
New York City is flatter and too familiar to me,
And I crave something different.